epsilon75 wrote:Some real nice photos there
we need a BM translation
here's a similar translation to Google's "
Giants of the music of the two last centuries, to see Tangerine Dream in direct was a dream done reality for several generations of followers of the electronic music. They and Kraftwerk, or what is the same thing Berlin and Düsserldof were the factories where were gestated the bosses of the pop music carried out since the technology, and still they continue fully in force, perhaps more than ever, their teachings.
With more than seventy disks published, of the ones that al except a thirty are soundtracks, Edgar Froesse, older boss of this formation, is a magician of the sounds of synthesis, so much as of its put in scene: a dozen disks of Tangerine Dream are in direct (three in 2003-4: from France, Australia and USES).
The design of electronic music that this veteran alchemist of the synthesizers carried out above all during the seventies has inspired to commercial monsters as Vangelis or Jean Michelle Jarre and, in short, also to the part more 'govinda' of the new age or the well-worn already therapies of chillout.
The horizontal sounds superimposed layers creation that did famous their music carbonated water, mentalismo sonorous that aspired to expand the doors of the perception since the sintetizadoras does not seem that they interest him already much, al less in concert. In format of trio, with their son Jerome and the formidable percussionist Iris Camma, the Tangerine Dream of right now reflect for a lot more physical roads and angulosos. . Of the infinite ramifications of the music electronic contemporary Froesse assumes, by right obviously, to be able to utilize them all, since the rhythms ultrabailables to the most violent industrial passages or the progressive developments. Machines untied that have in the percussionist a fort takes of land, a seriously human and even mundane center when they sound the darboukas or the conga drums.
Friend of the light shows that supported the sonorous reception, Froese brought a simple luminous spectacle, always against the light, of tones from colds to icy, that with the computers of blue neon, they suggested a disturbing atmosphere of science to very coherent fiction with the synthetic sounds of their imperative programming. Ambientación perfect so that pieces as 'Swindle Square dreams' or 'The Messenger', in the final straight line of their concert, impressive experiences resulted. When the computers have facilitated the disclosure (and the popularization) of the inorganic music, the inventors of the matter continue being a step by in front of the others.
...The wise.....are silent.....
