Peter Beasley wrote:Browsing through some of the old threads, I came across epsilon 75’s interesting post (‘Tangerine Dream Tour Year 1986’ in ‘Performances’) that Chris Franke did not do the sequencing on Logos, Thief and Poland.
If the sequencing on these albums is not Chris's work, then the sequencing on the 1980, 1981 and 1982 tours is also not his, as there is a vast cross over of material. ...
That is bizarre ... in most synthesizers the sequencing (at least these days) is done individually for "each pad" or "instrument" ... and I doubt that someone would feed all three musicians and it would be sequenced yet again ... I think the ability to control that piece of music would get really difficult ... and more than likely frustrating ... and I can say that I have not heard TD ever lose track of themselves at all. ... although I do think that madmen are usually capable of thinking the strangest things ... !!! ... the proverbial magic theater!
Unless one thinks that "sequencer" means the dumming part of things ... which is kinda weird ... sequencing was originally designed to help carry sounds and extend them not to simply repeat them. And slightly later synths and various tools learned to bend these even further.
I can take, for example, the Jupiter v8 and record 10 different trax, and I can sequence each one separatly to enrich the sound some ... but once I have it all done, I'm not sure that I would want to sequence things yet again and lose the original qualities of various sounds and playing.
Am I not seeing this right? Or I need to go back to my DAW?